By LARRY McCABE
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Writer: [S. l. ] : George H. Doran corporation ebook date: 1922 topics: Piano -- guideline and learn Notes: this is often an OCR reprint. there's typos or lacking textual content. There are not any illustrations or indexes. for those who purchase the overall Books variation of this publication you get unfastened trial entry to Million-Books.
Now not undesirable; no longer unprecedented. So what's it? Kinda general i guess. not anything to get very fascinated about.
Otakar Sevick was once a Czech musician and violin instructor who wrote many reports, tools and educating instruments. lots of that are nonetheless vital this day. for example his violin tools are nonetheless helpful a century later and his experiences stay moment to none. This quantity of forty experiences for right-hand method comprises workouts in string-crossing, arpeggios, triplets, altering bowing types, staccato taking part in, legato taking part in and extra.
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3. After you are comfortable applying a variety of four-beat patterns to the 12-bar blues in G, try to apply an 8-beat C7 pattern to the progression. An eight-beat pattern will require modification when a chord is played for only four beats see "Pattern Modifications on page 7. 40 ExampLe 2 12-bar blues in A A7 E7 D7 A7 A7 D7 A7 A7 D7 A7 E7 Always end the song on the tonic chord: Play measures 1-12 as many times as you wish, then end on an A7 chord. Airanging Tip The time signature for this project can be either 12/8 or 4/4.
A good rhythm player is capable of setting the harmony in motion Ex. 8. 33 Appendix 2 12-Bar Blues Progressions in Major Keys Example I shows the Roman Numeral arrangement of chords in the basic 12-bar major key blues progression or simply the basic blues progression. This popular progression is the most common chord progression in blues music. 12-bar blues progressions are also used for thousands of rock, country, jazz and folk songs. Ex. 1 The basic 12-bar major-key blues progression 17 17 17 1V7 17 This progression is used for ‘Johnny B.
Identify the chord type. For best results, transpose each of the four variations to the following keys: G, D, A, E, F, Bb, and Eb. Ex. 10 12-bar major key variation #1 17 17 17 17 1V7 1V7 17 17 V7 1V7 I- 17 V7 L Ex. 11 Variation #1 in the key of C F F CCGF C 1V7 1V7 17 17 Ex. 12 12-bar major-key variation #2 17 17 1V7 17 ¶ 17 V7 1V7 tH Th- 17 1 Ex. 13 Variation #2 in the key of C 7 FC CFFC CG F C 17 Ex. 14 12-bar major-key variation #3 17 1V7 17 +"F;- 17 1V7 1V7 17 V7 1V7 F F CCG +1 17 V7 LII Ex.
101 Bad to the Bone by LARRY McCABE