By Jasper Rees
within the days earlier than his 40th birthday, London-based journalist Jasper Rees trades his pen for a French horn that has been accumulating airborne dirt and dust within the attic for greater than twenty-two years, and, on a lark, performs it on the annual pageant of the British Horn Society.
regardless of an embarrassingly negative functionality, the adventure conjures up Rees to embark on a frightening, strange, and finally successful trip: to come back to the competition in a single year's time and play a Mozart concertoвЂ”soloвЂ”to a wide paying viewers.
A satan to Play is the real tale of an not going midlife challenge spent conquering 16 ft of wrapped brass tubing generally considered as the main tricky software to grasp, in addition to the main treacherous to play in public. it's the historical past of man's first musical software, a compelling trip that strikes from the partitions of Jericho to Sgt. Pepper's Lonely Hearts membership Band , from the searching fields of France to the center of Hollywood. And it's the account of 1 man's mounting musical obsession, advised with pitch-perfect wit and an indisputable charmвЂ”an endearing, inspiring story of perseverance and success, relayed masterfully, one side-splittingly off-key be aware at a time.
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Writer: [S. l. ] : George H. Doran corporation e-book date: 1922 topics: Piano -- guideline and examine Notes: this is often an OCR reprint. there is typos or lacking textual content. There aren't any illustrations or indexes. in case you purchase the overall Books version of this e-book you get unfastened trial entry to Million-Books.
Now not undesirable; now not remarkable. So what's it? Kinda regular i assume. not anything to get very serious about.
Otakar Sevick was once a Czech musician and violin instructor who wrote many reviews, equipment and instructing instruments. lots of that are nonetheless very important this day. for example his violin equipment are nonetheless worthy a century later and his reports stay moment to none. This quantity of forty stories for right-hand process contains routines in string-crossing, arpeggios, triplets, altering bowing kinds, staccato enjoying, legato enjoying and extra.
Extra resources for A Devil to Play: One Man's Year-Long Quest to Master the Orchestra's Most Difficult Instrument
I said all sorts, but only the big ones work, but they don’t work very well. He said so you know it’s hard work. I said yes and laughed nervously. We got down to it. He told me how to hold the horn. The smaller end went to the lips, naturally, the three middle fingers on the piston valves. The hole at the larger end—and here was a surprise—housed the right hand. He tweaked and sculpted mine into a position where it could rest on the inside of the bell. It felt unnatural, like the first time you attempt a correct bridge at the snooker table.
It’s possible to enjoy yourself too much. Counting was never one of my fortes. I’m standing there thinking how well it’s all going when I lose track somewhere toward the back end of a fourbar rest. I panic and suddenly think I’ve missed it. ” I say. ” barks the New Person’s mother unflappably from the piano. The ending is infinitely delicate, with the horn raising its eyebrows knowingly through a series of three short quavers, echoed by the accompaniment, then briefly stated again, to another echo, before the horn exits on a wry little query.
I make treacly progress. Most of these exercises are so moronic I can’t bear to play them more than once. But as I doggedly crank out the baby tunes, the sound coming out of the horn starts to settle. Where notes were previously pocked with cracks and breaks, some of them now have a rather lordly sheen to them. They rise, they resonate, awaking memories of sounds that, with a good following wind, were once known to come out of the other end of this Josef Lídl. At the British Horn Society festival, I couldn’t play for toffee.
A Devil to Play: One Man's Year-Long Quest to Master the Orchestra's Most Difficult Instrument by Jasper Rees