By David F. Ostwald
Written to satisfy the desires of hundreds of thousands of scholars and pre-professional singers partaking in construction workshops and periods in opera and musical theater, performing for Singers leads making a song performers step-by-step from the studio or school room via audition and rehearsals to a profitable functionality. utilizing a transparent, systematic, optimistic strategy, this sensible consultant explains the way to examine a script or libretto, exhibits easy methods to improve a personality construction on fabric within the ranking, and provides the making a song performer the instruments to behave believably. greater than only a "how-to" appearing e-book, although, performing for Singers additionally addresses the issues of focus, belief, projection, conversation, and the self-doubt that frequently afflicts singers pursuing the objective of plausible functionality. half I establishes the elemental ideas of performing and making a song jointly, and teaches the reader easy methods to improvise as a key device to discover and boost characters. half II teaches the singer the right way to learn theatrical paintings for rehearsing and appearing. utilizing concrete examples from Carmen and West part tale, and innovative workouts following each one bankruptcy, this article teaches all singers tips to be potent making a song actors.
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Extra resources for Acting for Singers: Creating Believable Singing Characters
How do you feel? ) . You are the aforementioned singer who has just come to town. (What caused you to move? Did you move to be with your spouse who got a new job? ) How do you approach your old friend? EXERCISE 6. (I/G) Carmen Scenario: Carmen as Outcast** Objective: to use the Magical if to explore some of the feelings you might use to act Carmen. You can imagine the following scenario using the Magical if or you can actually try improvising it. When you are exploring your character, don’t worry about behaving like someone else’s vision of her, doing what you think ought to be done, or what others have done.
Instructions: Choose a vivid emotional experience that you are willing to share. ) Write the experience down, using language that captures the feelings. Keep your description short—no more than one page. You may have to write it out more than once to condense it, or to focus your feelings. Work with a partner who has also written out a description of an experience. Sit facing each other; your knees should almost touch. ” . If you are the “reader,” silently read your experience to yourself, but sound the words inside your head.
However, that is what Salome does, and what you, as Salome, will want to make believable. The beauty of the Magical if is that you can achieve that believability even if your character behaves in a way that is quite outside your experience. With the Magical if you create believable characters not by denying your own voice, body, and feelings but by using them. As discussed in chapter , the more deeply you imagine yourself into your character’s circumstances, the more those circumstances arouse your feelings and lead to believable responses.
Acting for Singers: Creating Believable Singing Characters by David F. Ostwald